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January 22, 2008

Recession Keeps Knocking, Implications Await Music Industry

Editor's note: I just received this bit from digitalmusicnews.com. Expect the worst...especially for the future of multichannel audio. Although the U.S. Federal Reserve has dropped the prime lending rate by 75 points to 3.5%...futures forecast an additional 500 point loss. Incidentally...75 basis points is the biggest reduction since 1984....which further fuels the recession arguement. The Bank of Canada shaved 25 points to a 4% level. It's gonna be another rough ride...for everyone...including the prestigious parlour labels who will follow suit by cancelling future releases and projects.

Americans are now bracing for a potentially serious economic recession, one sparked by a housing and sub-prime mortgage lending meltdown. During the recent holiday season, consumers displayed healthy purchasing levels, though household incomes may suffer more pressure ahead.

So how does that affect the music industry?  Within the recording sector, disruptive changes are already well underway, though a broader economic downturn could exacerbate existing drops.  Already, US-based album sales are 10 percent below 2007 figures, potentially part of a rocky ride in 2008.  "This could be an incredibly tough year," one major label executive admitted.

On the digital side, investment in newer startups could cool, though smarter, bootstrapped companies may proliferate.  And the live performance sector may also feel a hit, thanks to reduced levels of disposable income.  The last major recession in 2001 lasted roughly eight months, though economists are projecting a more severe downturn ahead.

Just recently, the White House floated a $150 billion stimulus proposal, and the Federal Reserve has been steadily lowering interest rates to spark spending.  But Wall Street remains unimpressed by the recovery prospects.  This year alone, the Dow Jones Industrial Average (DJIA) has dropped nearly 10 percent on bearish sentiment.

January 13, 2008

Grammy Awards 2008

The Grammy's are just around the corner. I figured it was time to single out the only category that surroundoids care about and hope to open up a dialogue on which one is deserving and which ones were missed. Remember: the eligibility period  is from October 1, 2006 through September 30, 2007.

Best Surround Sound Album
(For vocal or instrumental albums. Albums only.)

  • At War With The Mystics 5.1
    The Flaming Lips & Dave Fridmann, surround mix engineers; The Flaming Lips &
    Dave Fridmann, surround mastering engineers; The Flaming Lips & Dave Fridmann,
    surround producers (The Flaming Lips)
    [Warner Bros.]
  • Fear Of A Blank Planet
    Steven Wilson, surround mix engineer; Darcy Proper, surround mastering engineer;
    Porcupine Tree, surround producers (Porcupine Tree)
    [Atlantic Records]
  • Grechaninov: Passion Week
    John Newton, surround mix engineer; Jonathan Cooper, surround mastering
    engineer; Blanton Alspaugh, surround producer (Charles Bruffy, Kansas City
    Chorale & Phoenix Bach Choir)
    [Chandos Records]
  • Love
    Paul Hicks, surround mix engineer; Tim Young, surround mastering engineer;
    George Martin & Giles Martin, surround producers (The Beatles)
    [Apple/Capitol Records]
  • Vaughan Williams: Symphony No. 5; Fantasia On A Theme By Thomas Tallis; Serenade To Music
    Michael Bishop, surround mix engineer; Michael Bishop, surround mastering
    engineer; Elaine Martone, surround producer (Robert Spano & Atlanta Symphony
    Orchestra & Chamber Chorus)
    [Telarc]

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